Cirkustältet

Februari 4, 2012
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Pappan
ligger i sängen och ber lille Kalle 4 år att springa in till mamma i
badrummet…Hälsa mamma att masten till cirkustältet är rest nu…Kalle
kilar iväg men kom snart tillbaka till en något laddad pappa…Vad sa
mamma? Jo mamma sa det, att den lille musen som skulle uppträtt
ikväll…har fått näsblod

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5 kommentarer till “Cirkustältet”

  1. catalina skriver:

    Mamma tackade ff6r he4lsningen! Tack, ja det e4r en snygg fe4rg. Ke4nns lite mer upinpgagde e4n det bruna jag alltid anve4nder. Le4ppstiftet e4r fre5n FACE och fe4rgen heter Curry! //Kram

  2. Celine Wallets skriver:

    At this time the brass sounds a little lighter than usual, though very much on target. The counterpoint from the other instruments stood out splendidly, perhaps as a result. String intonation is always a challenge for younger ensembles. On Tuesday, however, the violins were together, nowhere more happily than when they started climbing with the second theme (”Elsa’s motif”) and accurately soared to the high notes. Conductor Linn Weeda opted for the ending from the version played in the opera a short chord that would lead into a chorale rather than the sustained final chord of the more familiar concert version. It was unexpected, but not out of place. Weeda next led the group in the last two movements of Alaska composer Philip Munger’s “Sinfonietta,” composed in memory of Gordon Wright, who died in Feb. 2007 and whom both men count among their musical mentors. Composer Philip Munger: “Sinfonietta” a tribute to the late Gordon Wright It was only the second performance of the movements, though Weeda said he’d originally performed an early version of the second movement, “Lamentations,” in an arrangement for brass trio.

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